• Bramley, C (2015).  ‘Too Important to be left to the Musicians: un-Musical Activism and Sonic Fictions’, An Anthology on Improvisation, Vol.1, Nadace Agosto Foundation: Pixl-e Publishing.


  • Bramley, C (2015) ‘un-Musical activism and Sonic Fictions’ Improfil: Theorie und Praxis Improvisierter Musik (no.78, April 2015).


  • Bramley, C. (2016). ‘Feral Pop: The Participatory Power of an Improvised Popular Music’, Smith, G.D., Moir, Z. Brennan, M. Rambarran, S., & Kirkman, P.  The Routledge Research Companion to Popular Music Education. Farnham: Routledge.


  • Bramley, C. (2017) ‘Beyond the boundaries of Professionalism: Introducing Anarcho-Pop into the lexicon of popular music studies and education’, The Yearbook of the Center for Popular Culture and Music.  Freiburg: Waxmann.


  • Bramley, C. (2017) 'Under a Floorboard World: The Career of Katie Jane Garside' Breakbeat Books


  • Bramley, C. (2019) ‘Devoured by Music:  Katie Jane Garside, Improvisation and Popular Music’, Punk& Post-Punk, Volume 8, No. 1. Intellect Publishing.

  • Bramley, C; Edmondes, W; Bowers,  J (2020) 'Wild Pop: Towards a Fugitive Music Pedagogy', 'The Improvisers Classroom'  (in review)